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〕 | rev2=''Audio'' | rev2Score = 〔Michael Tearson, "Rock-Pop Recordings -- ''I Love Everybody'' by Lyle Lovett", ''Audio: The Equipment Authority'', 78:10, October 1994, p. 60〕 | rev3 = ''New York Times'' | rev3Score = (favorable) 〔Jon Pareles, "POP REVIEW: Lyle Lovett, From Wistful to Weird", ''New York Times'', Nov 15, 1994 ((link ))〕 | rev4 = ''Rolling Stone'' | rev4Score = 〔John Milward, ''Rolling Stone'', Oct 6, 1994, p. 88 ((link ))〕 | rev5 = ''Stereo Review'' | rev5Score = (favorable) 〔"Best Recordings of the Month: Lyle Lovett's ''I Love Everybody'', Debussy preludes from Krystian Zimerman, the Allman Brothers Band's ''Where It All Begins'', and Rossini's complete Semiramide", ''Stereo Review'', 59:9, September 1994, p.87-91〕 }} ''I Love Everybody'' is the fifth album by Lyle Lovett, released in 1994. The album consists of songs written by Lovett prior to the recording of his first album, ''Lyle Lovett'' (1986) 〔〔 On the 8th track, "Record Lady," Lyle refers to college friend and fellow musician, Robert Earl Keen. ...Robert Earl, he's a friend of mine Several songs prominently feature one or more of Lovett's trademark penchants: wry humor (''They Don't Like Me''), playful surrealism (''Penguins'') and disturbing frankness (''Creeps Like Me''). Lovett's wife at the time, Julia Roberts, provides backing vocals on several tracks. Other performers lending their voice include Rickie Lee Jones and Leo Kottke. ==Track listing== All songs by Lyle Lovett, except "Fat Babies" written with Eric Taylor 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「I Love Everybody」の詳細全文を読む スポンサード リンク
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